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Иконка для Jokes For All Occasions 1.0

Jokes For All Occasions (v. 1.0)

MobileReference опубликовал приложение 2011-12-16
(обновлено 2011-12-16)

Over one thousand jokes collected and organized by topic by by Edward J. Clode and hyperlinked by MobileReference for maximum loughter. Here are a few examples:

Absentmindedness

The man of the house finally took all the disabled umbrellas to the repairer's. Next morning on his way to his office, when he got up to leave the street car, he absentmindedly laid hold of the umbrella belonging to a woman beside him, for he was in the habit of carrying one. The woman cried "Stop thief!" rescued her umbrella and covered the man with Shame and Confusion. That same day, he stopped at the repairer's, and received all eight of his umbrellas duly restored. As he entered a street car, with the unwrapped umbrellas tucked under his arm, he was horrified to behold glaring at him the lady of his morning adventure. Her voice came to him charged with a withering scorn: "Huh! Had a good day, didn't you!"

*         *         *

The absentminded inventor perfected a parachute device. He was taken up in a balloon to make a test of the apparatus. Arrived at a height of a thousand feet, he climbed over the edge of the basket, and dropped out. He had fallen two hundred yards when he remarked to himself, in a tone of deep regret: "Dear me! I've gone and forgotten my umbrella."

*         *         *

The professor, who was famous for the wool-gathering of his wits, returned home, and had his ring at the door answered by a new maid. The girl looked at him inquiringly: "Um—ah—is Professor Johnson at home?" he asked, naming himself. "No, sir," the maid replied, "but he is expected any moment now." The professor turned away, the girl closed the door. Then the poor man sat down on the steps to wait for himself.

*         *         *

The clergyman, absorbed in thinking out a sermon, rounded a turn in the path and bumped into a cow. He swept off his hat with a flourish, exclaiming: "I beg your pardon, madam." Then he observed his error, and was greatly chagrined. Soon, however, again engaged with thoughts of the sermon, he collided with a lady at another bend of the path. "Get out of the way, you brute!" he said.

*         *         *

The most absent-minded of clergymen was a Methodist minister who served several churches each Sunday, riding from one to another on horseback. One Sunday morning he went to the stable while still meditating on his sermon and attempted to saddle the horse. After a long period of toil, he aroused to the fact that he had put the saddle on himself, and had spent a full half hour in vain efforts to climb on his own back.

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Иконка для Obras de Miguel de Unamuno 1.0

Obras de Miguel de Unamuno (v. 1.0)

MobileReference опубликовал приложение 2011-12-16
(обновлено 2011-12-16)

This collection was designed for optimal navigation on Kindle and other electronic devices. It is indexed alphabetically, chronologically and by category, making it easier to access individual books, stories and poems. This collection offers lower price, the convenience of a one-time download, and it reduces the clutter in your digital library. All books included in this collection feature a hyperlinked table of contents and footnotes. The collection is complimented by an author biography.


Narrativa
Niebla (1914)
Abel Sánchez (1917)
La tía Tula (1921)
Cómo se hace una novela (1927)

Poesías
Rosario de sonetos líricos (1911, incluye 128 sonetos)
Por orden alfabético
Blas, el bobo (Blas, el bobo de la aldea)
Castilla (Tú me levantas, tierra de Castilla,)
El armador aquel (El armador aquel de casas rústicas)
El cuerpo canta
El mar de encinas (En este mar de encinas castellano)
En un cementerio de lugar castellano (Corral de muertos, entre pobres tapias,)
Habla, que lo quiere el niño
Incidente doméstico (Traza la niña toscos garrapatos)
La luna y la rosa (En el silencio estrellado)
Madre, llévame a la cama
Me destierro (Me destierro a la memoria)
Ofelia de Dinamarca (Rosa de nube de carne)
Oh, Señor, tú que sufres del mundo (Salmo III)
Qué es tu vida (¿Qué es tu vida, alma mía?, ¿cuál tu pago?,)
Sombra de humo (¡Sombra de humo cruza el prado!)
Vendrá de noche (Vendrá de noche cuando todo duerma,)
Y ¿qué es eso? (Y ¿qué es eso del Infierno?)

Sonetos
De Fuerteventura a París (1925) (A un hijo de españoles arropamos)
De vuelta a casa (Desde mi cielo a despedirme llegas)
Es una antorcha (Es una antorcha al aire esta palmera,)
Horas serenas (Horas serenas del ocaso breve,)
La estrella polar (Luciérnaga celeste, humilde estrella)
La mar ciñe (La mar ciñe a la noche en su regazo)
La sangre de mi espíritu (La sangre de mi espíritu es mi lengua)
Muerte (Eres sueño de un dios; cuando despierte)
Noche de luna llena (Noche blanca en que el agua cristalina)

Rimas
Cuando duerme una madre junto al niño
Por qué esos lirios que los hielos matan

Ensayos
El porvenir de España (publicado en 1912, en base a 4 cartas publicadas en "El Defensor de Granada" en 1898)
Mi religión
Verdad y vida
¡Adentro!

Artículos
Individuo y Estado (1931)
Estamos haciendo la Revolución (1933)

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Иконка для The Divine Comedy 1.0

The Divine Comedy (v. 1.0)

MobileReference опубликовал приложение 2011-12-16
(обновлено 2011-12-16)

This is an electronic edition of the complete book complemented by author biography. This book features the table of contents linked to every part and canto. The book was designed for optimal navigation on Android.

****************** The Divine Comedy (Italian: Commedia, later christened "Divina" by Giovanni Boccaccio), written by Dante Alighieri between 1308 and his death in 1321, is widely considered the central epic poem of Italian literature, and is seen as one of the greatest works of world literature. The poem's imaginative and allegorical vision of the Christian afterlife is a culmination of the medieval world-view as it had developed in the Western Church. It helped establish the Tuscan dialect in which it is written as the Italian standard.
— Excerpted from Wikipedia, the free encyclopedia.

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Иконка для Great Expectations 1.0

Great Expectations (v. 1.0)

MobileReference опубликовал приложение 2011-12-15
(обновлено 2011-12-15)

Review
Novel by Charles Dickens, first published serially in All the Year Round in 1860-61 and issued in book form in 1861. The novel was one of its author's greatest critical and popular successes. The first-person narrative relates the coming-of-age of Pip (Philip Pirrip). Reared in the marshes of Kent by his disagreeable sister and her sweet-natured husband, the blacksmith Joe Gargery, the young Pip one day helps a convict to escape. Later he is sent to live with Miss Havisham, a woman driven half-mad years earlier by her lover's departure on their wedding day. Her other ward is the orphaned Estella, whom she is teaching to torment men with her beauty. Pip, at first cautious, later falls in love with Estella, to his misfortune. When an anonymous benefactor makes it possible for Pip to go to London for an education, he credits Miss Havisham. He begins to look down on his humble roots, but nonetheless Estella spurns him again and marries instead the ill-tempered Bentley Drummle. Pip's benefactor turns out to have been Abel Magwitch, the convict he once aided, who dies awaiting trial after Pip is unable to help him a second time. Joe rescues Pip from despair and nurses him back to health.
-- The Merriam-Webster Encyclopedia of Literature

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Иконка для The Metamorphosis 1.0

The Metamorphosis (v. 1.0)

MobileReference опубликовал приложение 2011-12-15
(обновлено 2011-12-15)

The Metamorphosis by Franz Kafka Translated by Ian Johnston The Metamorphosis (German: Die Verwandlung) is a novella by Franz Kafka, first published in 1915. The story begins with a traveling salesman, Gregor Samsa, waking to find himself transformed into a "monstrous vermin" -- Excerpted from Wikipedia, the free encyclopedia.

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Иконка для Pride and Prejudice 1.0

Pride and Prejudice (v. 1.0)

MobileReference опубликовал приложение 2011-12-15
(обновлено 2011-12-15)

Pride and Prejudice is a novel by Jane Austen. First published on 28 January 1813, it was her second published novel. Its manuscript was initially written between 1796 and 1797 in Steventon, Hampshire, where Austen lived in the rectory. Originally called First Impressions, it was never published under that title, and in following revisions it was retitled Pride and Prejudice. The book is narrated in free indirect speech following the main character Elizabeth Bennet as she deals with matters of upbringing, marriage, moral rightness and education in her aristocratic society. Though the book's setting is uniquely turn of the 19th century, it remains a fascination of modern readership, continuing to remain at the top of lists titled "most loved books of all time", and receiving considerable attention from literary critics. This modern interest has resulted in a number of dramatic adaptations and a plethora of books developing Austen's memorable characters further. To date, the book has sold some 20 million copies worldwide.
- Excerpted from Wikipedia, the free encyclopedia.

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Иконка для Sense and Sensibility 1.0

Sense and Sensibility (v. 1.0)

MobileReference опубликовал приложение 2011-12-15
(обновлено 2011-12-15)

Amazon.com Review
Though not the first novel she wrote, Sense and Sensibility was the first Jane Austen published. Though she initially called it Elinor and Marianne, Austen jettisoned both the title and the epistolary mode in which it was originally written, but kept the essential theme: the necessity of finding a workable middle ground between passion and reason. The story revolves around the Dashwood sisters, Elinor and Marianne. Whereas the former is a sensible, rational creature, her younger sister is wildly romantic--a characteristic that offers Austen plenty of scope for both satire and compassion. Commenting on Edward Ferrars, a potential suitor for Elinor's hand, Marianne admits that while she "loves him tenderly," she finds him disappointing as a possible lover for her sister:
Oh! Mama, how spiritless, how tame was Edward's manner in reading to us last night! I felt for my sister most severely. Yet she bore it with so much composure, she seemed scarcely to notice it. I could hardly keep my seat. To hear those beautiful lines which have frequently almost driven me wild, pronounced with such impenetrable calmness, such dreadful indifference!
Soon however, Marianne meets a man who measures up to her ideal: Mr. Willoughby, a new neighbor. So swept away by passion is Marianne that her behavior begins to border on the scandalous. Then Willoughby abandons her; meanwhile, Elinor's growing affection for Edward suffers a check when he admits he is secretly engaged to a childhood sweetheart. How each of the sisters reacts to their romantic misfortunes, and the lessons they draw before coming finally to the requisite happy ending forms the heart of the novel. Though Marianne's disregard for social conventions and willingness to consider the world well-lost for love may appeal to modern readers, it is Elinor whom Austen herself most evidently admired; a truly happy marriage, she shows us, exists only where sense and sensibility meet and mix in proper measure. --Alix Wilber

From Library Journal
Austen is the hot property of the entertainment world with new feature film versions of Persuasion and Sense and Sensibility on the silver screen and Pride and Prejudice hitting the TV airwaves on PBS. Such high visibility will inevitably draw renewed interest in the original source materials. These new Modern Library editions offer quality hardcovers at affordable prices.
Copyright 1996 Reed Business Information, Inc.

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Иконка для Persuasion 1.0

Persuasion (v. 1.0)

MobileReference опубликовал приложение 2011-12-15
(обновлено 2011-12-15)

Amazon.com Review
Anne Elliot, heroine of Austen's last novel, did something we can all relate to: Long ago, she let the love of her life get away. In this case, she had allowed herself to be persuaded by a trusted family friend that the young man she loved wasn't an adequate match, social stationwise, and that Anne could do better. The novel opens some seven years after Anne sent her beau packing, and she's still alone. But then the guy she never stopped loving comes back from the sea. As always, Austen's storytelling is so confident, you can't help but allow yourself to be taken on the enjoyable journey.

From Library Journal
Austen is the hot property of the entertainment world with new feature film versions of Persuasion and Sense and Sensibility on the silver screen and Pride and Prejudice hitting the TV airwaves on PBS. Such high visibility will inevitably draw renewed interest in the original source materials. These new Modern Library editions offer quality hardcovers at affordable prices.
Copyright 1996 Reed Business Information, Inc.

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Иконка для Emma 1.0

Emma (v. 1.0)

MobileReference опубликовал приложение 2011-12-15
(обновлено 2011-12-15)

Amazon.com Review
Of all Jane Austen's heroines, Emma Woodhouse is the most flawed, the most infuriating, and, in the end, the most endearing. Pride and Prejudice's Lizzie Bennet has more wit and sparkle; Catherine Morland in Northanger Abbey more imagination; and Sense and Sensibility's Elinor Dashwood certainly more sense--but Emma is lovable precisely because she is so imperfect. Austen only completed six novels in her lifetime, of which five feature young women whose chances for making a good marriage depend greatly on financial issues, and whose prospects if they fail are rather grim. Emma is the exception: "Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her." One may be tempted to wonder what Austen could possibly find to say about so fortunate a character. The answer is, quite a lot.
For Emma, raised to think well of herself, has such a high opinion of her own worth that it blinds her to the opinions of others. The story revolves around a comedy of errors: Emma befriends Harriet Smith, a young woman of unknown parentage, and attempts to remake her in her own image. Ignoring the gaping difference in their respective fortunes and stations in life, Emma convinces herself and her friend that Harriet should look as high as Emma herself might for a husband--and she zeroes in on an ambitious vicar as the perfect match. At the same time, she reads too much into a flirtation with Frank Churchill, the newly arrived son of family friends, and thoughtlessly starts a rumor about poor but beautiful Jane Fairfax, the beloved niece of two genteelly impoverished elderly ladies in the village. As Emma's fantastically misguided schemes threaten to surge out of control, the voice of reason is provided by Mr. Knightly, the Woodhouse's longtime friend and neighbor. Though Austen herself described Emma as "a heroine whom no one but myself will much like," she endowed her creation with enough charm to see her through her most egregious behavior, and the saving grace of being able to learn from her mistakes. By the end of the novel Harriet, Frank, and Jane are all properly accounted for, Emma is wiser (though certainly not sadder), and the reader has had the satisfaction of enjoying Jane Austen at the height of her powers. --Alix Wilber

From Library Journal
This is another case where a classic is being reprinted simply as a tie-in to a TV/feature film presentation. Libraries, nonetheless, can benefit by picking up a quality hardcover for a nice price.
Copyright 1997 Reed Business Information, Inc.

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Иконка для Venus in Furs 1.0

Venus in Furs (v. 1.0)

MobileReference опубликовал приложение 2011-12-13
(обновлено 2011-12-13)

Venus in Furs (German: Venus im Pelz) is a novella by Austrian author Leopold von Sacher-Masoch, the best known of his works. The novel was part of an epic series that Sacher-Masoch envisioned called Legacy of Cain. Venus in Furs was part of Love, the first volume of the series. It was published in 1870.

— Excerpted from Wikipedia, the free encyclopedia.

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